The Laurence Hutton Collection of Life & Death Masks

(Above) Life mask of William Wordsworth (1770-1850) and death mask of Samuel Hayes Pennington (1806-1900).

(Above) Death mask of Henry Warner Slocum (1827-1894); and death mask of Jonathan Swift (1667-1745).

(Above) Death mask on decorated shield of Ulysses S. Grant (1822-1885) and life mask of Robert E. Lee (1807-1870).

(Above) Life mask of Benjamin Franklin (1706-1790) and life mask of John James Audubon (1785-1851).

(Above) Life mask of John C. Calhoun (1782-1850) and life mask of Abraham Lincoln (1808-1865).


I came across these life and death masks on the Laurence Hutton Collection of Life and Death Masks at Princeton University’s on-line rare books collection. Looking at one of these is as close to the real thing as you can get. I only wish Lincoln had eyes.

It’s a cool thing to think of someone agreeing to have their face wrapped in plaster of Paris gauze, then sit for it to dry, etc. It’s a very tedious thing to do. The dead ones are always easy. They don’t blink and never complain.

An AM Repost from 1/18/09.

Dr. Samuel Mudd’s Medical Kit

Click image for larger view.

JOHN WILKES BOOTH AND THE LINCOLN ASSASSINATION: This medical kit, beyond its historical link to the assassination, also serves as an excellent example of what a mid-nineteenth century country doctor had with him when he made his house calls.

EMBOSSED LABEL READS: “F. Arnold & Sons, Manufacturers of Surgical Instruments, 15 S. Sharp St., Baltimore.”

DESCRIPTION OF THIS PHOTOGRAPH: Dr. Mudd’s kit is displayed open, unclasped, so the medical instruments are displayed inserted into the sewn leather loops, each designed to hold a specific instrument in the most efficient manner. Efficiency was important because in 1865 country doctors rode horseback to treat patients. These surgical instruments had to handle as many potential surgical situations as possible and still be carried on horseback in the doctor’s famous “little black bags”. In addition to a variety of scissors, scalpels, tweezers and probes, you can see at the top a rounded suture needle—pinned to a piece of paper with the number 5 on it. Next to the needle is a flat roll of suture thread with the words “Surgeon’s Pure Silk, Warranted No. 7”. On the far right flap, the name of the manufacturer is embossed and slightly to the right of it is a clasp that would have attached to the back of the opposing flap once the entire kit was folded.

HISTORICAL PERSPECTIVE: After shooting Lincoln at Ford’s Theater, Booth leapt from the President’s box to the stage, and the spur that he was wearing on his boot caught on a flag decorating the Presidential box. Booth fell to the stage and broke his leg. He then escaped on his horse, undoubtedly beginning to feel immense pain. Still, he was able to make his way to the Maryland residence of Dr Samuel Mudd, either a casual friend or co-conspirator in the assassination, depending on which side of the historical debate you are on. Dr. Mudd claimed Booth told him that he had broken his leg when his horse fell on him.

Dr. Mudd at first claimed that he did not recognize Booth and proceeded to treat him as he would any patient. The left leg had swollen badly and the Doctor cut the boot from the leg, set it and sent him on the way some 12-15 hours later. As military forces, pursuing Booth, searched the area they came upon Dr. Mudd’s house and, when questioned, he denied seeing or knowing Booth. A few days later, the military returned and arrested Mudd. Mudd was jailed and stood trial before a military tribunal. Sentenced to life imprisonment, he was released and pardoned after replacing a prison doctor who had died during a yellow fever outbreak. Many have come to doubt Dr. Mudd’s role in the conspiracy and many have tried to exonerate him.

This surgical kit was taken during the arrest of Dr. Samuel Mudd as a co-conspirator in Booth’s ill-fated scheme. Dr. Mudd received a life sentence—escaping the death penalty by just one vote.

PHOTOGRAPHER: Carol M. Highsmith.

More historical images from many categories are available to purchase here.

Wood Nymphs That Bite

THESE IMAGES ARE BY MARK RYDEN, one of my favorite contemporary painters. Ryden’s imagery lets his own personal world of childhood fairy tales collide with something darker—nightmares that include fuzzy animals, cuts of meat, wood nymphs, religious figures and an obsession with Abraham Lincoln. Like the soothing songs of mythological Sirens, Ryden’s imagery will beckon you softly in with it’s fairytale innocence. Once there, you realize you are oddly comfortable with big-eyed little girls with butcher knives and you become a follower. Ryden becomes your dream master, your drug-dealer, your edge walker—and you like it.

There images are from his 2006 Wood Nymph series, part of his sellout exhibition The Tree Show at the Michael Kohn Gallery. I have written about Ryden in the past and you can see that post here.

If you have never heard of Mark Ryden, you can see more of his work on his website here.