Sunday, September 29, 2013

Hot Town, Summer in the City

Crime Scene, NYC. Image © Weegee Estate. Click for larger view.

Crime Scene, NYC. Image © Weegee Estate. Click for larger view.
Map pinpointing murder locations in N.Y.C. See below for link to interactive map. Click for larger view.

OK, CHECK THIS OUT. THE CITY OF NEW YORK HAS BEEN PINPOINTING THE EXACT LOCATION OF MURDERS IN THEIR 5 BOROUGHS since 2003. The map above shows all the murders since that time, and what is even more informational is that they have posted an interactive map online. There, you can mouse over any dot and see:


(1) Month and time of day of murder (2) Race and ethnicity of victim (3) Race and ethnicity of perpetrator (4) Sex of victim (5) Sex of perpetrator (6) Age of victim (7) Age of perpetrator (8) Weapon used

Since 2003, 3,402 murders have occurred in the five boroughs of Brooklyn, The Bronx, Queens, Manhattan and Staten Island. And since this is powered by Google Earth, you can zoom into to the very streets where the crimes occurred. Interestingly, but not unexpected— most murders occur at night and the summer months record the most murders.

Click here to see the interactive map.

For a little morbid fun, I have posted some vintage crime scene photos by the great Weegee, who shot his photos in New York City during the 1940s and 50s.

All photos by Weegee (Arthur Fellig) are © The Weegee Estate.

Sunday, September 22, 2013

Newspaper Blackout Poems

(Above) The poet Austin Kleon.

(You REALLY have to click on these images to read them!)




(Click on image to read!)



FROM HIS PHOTOGRAPH AND ESPECIALLY HIS ART, AUSTIN KLEON LOOKS LIKE THE KIND OF GUY I’D LIKE TO KNOW. And why not? He is incredibly creative, has a sense of humor and is an American original.

What you are looking at here are examples of his “blackout poetry,” his way of creating prose by finding the words he wishes to keep within a story or article in the newspaper— and blacking out the rest with a permanent marker. Like a stone carver, Kleon “cuts away” the parts he doesn’t need and keeps the parts that are essential to his “found” poem. I think it is great. The final words Austin “keeps” have to fall within a readable order—giving us newly “discovered” poems that are poignant, funny, right-on and right for our times.

Austin lives in Austin, Texas with his wife Meg and his book: Newspaper Blackout Poems, was published by Harper Collins in February 2010. Learn more about Austin Kleon by visiting his Web site here.

Thursday, September 5, 2013

Kris Kuksi: Beauty in the Macabre

(Above) Saravati Destroyer
72” w 33” h x 12” d
Mixed Media Assemblage
2009
Click on image for larger view
(Above) Saravati Destroyer (detail)Click on image for larger view

(Above) Saravati Destroyer (detail)
Click on image for larger view

(Above) Saravati Destroyer (detail)
Click on image for larger view

(Above) Plague Parade: Opus 1
38” h x 13” w 29” d
Mixed Media Assemblage
2007 Click on image for larger view

(Above) Churchtank Type 6.6F with Mine RollersMixed Media
9.75” h x 4.25” w x 14” L Click on image for larger view

(Above) Churchtank Type One
Mixed Media, 11” x 5” x 11”, 2003Click on image for larger view
(Above) Caravan Assault Apparatus
Mixed Media Assemblage, 39” x 28”, 2008
Click on image for larger view

(Above) Afterworld Transporter
Mixed Media Assemblage, 26” x 12”, 2008
Click on image for larger view


BORN MARCH 2, 1973 IN SPRINGFIELD, MISSOURI AND GROWING UP IN NEIGHBORING KANSAS, Kris spent his youth in rural seclusion and isolation along with a blue-collar, working mother, two much-older brothers and an absent father. Open country, sparse trees, and alcoholic stepfather, perhaps paved the way for an individual saturated in imagination and introversion. His fascination with the unusual lent to his macabre art later in life. The grotesque to him, as it seemed, was beautiful.

Reaching adulthood his art blossomed and created a breakthrough of personal freedom from the negative environment experienced during his youth. He soon discovered his distaste for the typical American life and pop culture, feeling that he has always belonged to the ‘Old World’. Yet, Kris’ work is about a new wilderness, refined and elevated, visualized as a cultivation emerging from the corrupt and demoralized fall of modern-day society. A place where new beginnings, new wars, new philosophies, and new endings exist.
In personal reflection, he feels that in the world today much of mankind is oftentimes frivolous and fragile, being driven primarily by greed and materialism. He hopes that his art exposes the fallacies of Man, unveiling a new level of awareness to the viewer.

ACCIDENTAL MYSTERIES interviewed Kris about his art, digging into the psyche of this incredible artist whose art is entirely relevant for these troubled days.


AM: Hey Kris! From the moment I saw your work, I knew I was looking at a special artist—one that you see oh, once every hundred years or so. I am serious. You’re more than an artist and I want to know more about you.

So, let me ask: do you have any kind of formal art education after high school?

KK:
Yes, I did, from a small mid-western college in Hays, Kansas called Fort Hays State University. It was not a major art school but from what I came out of from high school, I was at least lucky enough to go to college. The program wasn’t strict by any means so I just grew at my own pace, and I probably would have wound up the same had I been on an island in the Pacific.
AM: OK, I’d like to follow with this basic philosophical question: do you believe in any higher power in the universe, or do you feel that mankind is simply a brilliant but failed organism heading to his eventual and ultimate destruction?
KK: Ha! That is a very good question and I’d have to say that I really have a lot of doubt that man will follow through in saving the planet and himself from peril. I’m not so sure about a higher power. Maybe it is just a situation where humans need to come up with the idea that something has to be greater than them to help explain things. I just wonder if humans are smart enough to let reason rule and give up religious fanaticism and political differences. I suppose we might go down in history as the dinosaurs did and, eventually, be engulfed by the next ice age or cataclysmic event even if we did find a way to save the ecology and balance of the planet.

AM: I get from your work the collision of good and evil, the trappings of war, lost technologies, monuments to lost causes and failed leaders—all rendered in excruciatingly three-dimensional detail. Tell me more about this, please?

KK:
To continue with what you have already noted, I believe time becomes blended together as history consistently repeats itself. Countries rise and fall, wars are fought and won or lost, human behavior lives through emotions and passion over and over again. One thing humans can do is to learn from history, however, from what I see in what humans are doing today, is that they are more focused on their current state of the moment and seek answers through their emotional reactions rather than logic and knowledge as example from the past. There are very few visionaries that are leading us to a point of transformation. And so the story goes, the rise and fall of hero’s and nations and religions, etc., etc.
AM: It looks as if you embed found objects in your pieces and yet other parts appear to be individually sculpted? What is your sculpting material?

KK:
Just like what you said, mostly found objects but nearly everything is manipulated in some way. A thick filler sort of paste is use to add more form that isn’t provided in an object and is also used to help blend in gaps between forms.

AM: Tell me, what sorts of things do you collect apart from what you use in your work?

KK:
I’m not really a fanatical collector for the sake of collecting. But I do randomly collect odd things such as a bird fetuses, old wooden legs, art books, music, movies and art from a few fellow artist friends.
AM: Bird fetuses? Old wooden legs? Gee… that’s boring—everybody collects those. (Just kidding!) Finally, who— or what inspires you, Kris?

KK:
The Baroque, classical art, Art Nouveau, Bosch, Giger, design, symmetry, space travel, war, nature, architecture, death, life, passion, love, hate, emotions, and peace.
AM: Kris, thanks so much for taking the time to let us know more about you and your art. I’m a huge fan. Good luck with everything.

Wednesday, August 21, 2013

Working in the Woodpile












YOU HAVE TO HAND IT TO ANYONE who builds their own, private backyard getaway. And for those who do differently, with style or thought, well, my hat is really off to them. This woodpile office was designed by Piet Hein Eek, is fully ventilated with sliding glass windows and sits by the edge of the woods. This house is located in Hilversum, Netherlands.

Via Home Quotient.

Sunday, July 28, 2013

Science Tattoos, Or, How to Let the World Know You are REALLY a Nerd

(Above) Marc Morency, Quartermaster 1st class, USN, writes:
“My tattoo is the visual depiction of how to plot a line of position from a celestial body using the altitude intercept method, a method which has been time tested for more than a century. For me it serves as a reminder that while technology improves, the sea remains an unpredictable place and it is up to the older generation to teach the younger the old school ways of doing business.”



(Above) Zach writes: “This is a half sleeve up my upper right arm based around an image taken by one of the CERN bubble chambers. It is based on this image. I first saw that image my freshman year of college. It had the sublime, simple beauty that only something made of math and science can have. It stuck with me for 8 more years before I actually decided to get it etched into me. Oddly enough, on Valentine’s Day. I guess it was my Valentine's to physics and science. Oh, and when people ask who drew it, I always respond ‘God.’”



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(Above) “For some time I have wanted to get a tattoo to depict my appreciation for meteorites. On September 28, 1969 meteorites fell in Murchison, Australia. On September 28, 2004 our daughter Christina (a.k.a. Pinky) was born. As if wasn’t already a top-fiver for it’s amino acids, Murchison quickly moved up the ranks of my favorite meteorites and I had decided it would somehow be involved in the meteorite tattoo. With a little help from friends Steve Arnold (IMB) and Jason Phillips I obtained a small capsule of Murchison crumbs to pulverize and one day add to the ink. I ultimately decided on a carbon buckeyball, found in Murchison, unrolled and laid out flat. With Murchison fully represented in design and medium, I had the tattoo artist make one carbon atom bright pink in honor of Pinky. Although it’s only the size of the head of a pin, it means the world to her… and me.”


(Above) Loren, a biology graduate student, writes, “It’s a sketch of the horseshoe crab Limulus, such as a zoologist would make (and with the abdominal segments correctly identified). Perhaps the most magnificent living fossil of all, the horseshoe crab is the survivor of a lineage that extends back some 445 million years into the Ordovician. The four extant species are the only living representatives of the ancient arthropod class Merostomata and the only known chelicerate crabs.”



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(Above) Alice writes, “This is an Aztec speech glyph that dates back before the conquest. I’m a linguist, and I believe this glyph embodies the impossible elegance of spoken language as well as the intrinsically artificial and cumbersome nature of written language.”


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(Above) Mark writes:
“This tattoo is the Zermelo-Fraenkel with Choice axioms of set theory. These nine axioms are the basis for ZFC set theory, which is the most commonly studied form of set theory and the most well known set of axioms as well. From these nine axioms, one can derive all of mathematics. These provide the foundation of mathematics, a field that you can likely tell that I love dearly.”


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(Above) Alison, a high-school physics teacher, writes:
“Like many scientists, the wonder of the natural laws of the Universe is where I draw my spiritual inspiration. I also study the religions of the world, and have been fascinated by the reoccurring theme of Creation, Preservation, and Destruction. The Mandelbrot Set (top) represents Creation, with the emergent properties of a simple equation that produces such a rich, complex, and unpredictable fractal pattern that goes on into Infinity. The equation for hydrostatic equilibrium (bottom left) represents Preservation, describing the precarious balance between crushing gravity and expanding pressure inside of stars (including our own) to keep them in a stable, sustainable size for billions of years. The equation describing entropy (bottom right) symbolizes Destruction, simply stating that this fundamental break down of systems and accumulation of disorder either increases or stays the same over time, but never decreases. All three circle around the Delta, the symbol for Change.”


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(Above) Milad writes:
“I am a Mechanical Engineering undergrad at UC Berkeley and I got this tattoo about a month ago. It’s the golden ratio in the shape of a rectangle, with the ratio of the sides of the rectangle actually being the golden ratio! I have been obsessed with this number since I heard about it in high school, and it is the reason why I became so fascinated with mathematics. The golden ratio is known to be the closest mathematical explanation of beauty. It has been used a lot in architecture, art, and music around the world, and has some amazing mathematical and geometrical properties.”


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(Above) This tattoo is the schematic for the reference point of electricity. I just think of it as the source of electricity. Its really either the point at which you consider voltage to be 0, or in this pictures case, the physical connection to the earth (hence the lower calf). Electronics has been my passion for as long as I can remember, and I feel like this tattoo doesn’t do it justice. So I plan on getting another one to incorporate my passion for electronics and my trans-humanism beliefs.”

(Above) Anonymous writes: “This is a ‘Ramon y Cajal’ drawing of a human motor cortex pyramidal cell. I am a student of neuroscience and greatly admire Ramon y Cajal not only for his scientific contributions but for the artistic and beautiful quality of his images. This image reminds me of the vast and incredible power of the neocortex, and of the amazing capability of the human body.”


THERE’S NOTHING TO BE ASHAMED ABOUT IF YOU ARE A NERD. NERDS RULE THE WORLD, let’s face it. Today, being a nerd means you are deeply into something—usually science or mathematics. People into art don’t get that moniker for some reason—kids just think they are weird.

Carl Zimmer, a science writer for Discover Magazine, the NY Times and author of 6 books, wondered if people “out there” ever had tattoos of the science they love. He put out a call, and bingo! he was flooded with examples. I think they are cool—love ‘em by the way.

Sunday, July 14, 2013

Twins, Triplets, Death and Kidnappings

(Above) Baby born 16.3 pounds and 2 feet tall. Click on image for a larger view.

(Above) This Dorothea Lange-style photo shows the 11 member Cleveland Piper family. Click on image for a larger view.

(Above) 15-year old wife of a farmer. Uh-h, I thought this was against the law? Click on image for a larger view.

(Above) S.P. Dinsmore, creator of The Garden of Eden in Lucas, Kansas. Click on image for a larger view.

(Above) Mrs. Henry Bates looks none too happy. Click on image for a larger view.
(Above) Baby drug addict. Click on image for a larger view.

(Above) Killed by Reds! Click on image for a larger view.

(Above) Really creepy (and sad). Click on image for a larger view.

(Above) I can only hope that Mr. and Mrs. Riley went to jail.
Click on image for a larger view.


A YEAR OR SO AGO, DAVID RUHLMAN, A FELLOW BLOGGER, CONTACTED ME TO SEE WHAT I THOUGHT ABOUT HIS RECENT DISCOVERY of a scrapbook of old newspaper clippings. David told me that he was searching antique/thift stores in Salt Lake City and at one store came across a folder that was filled with newspaper clippings. There wasn’t any information about the previous owner, but the folder contained about 40-45 articles cut from newspapers. What was unusual about the clips were that almost all of them were about twins, triplets, death and kidnappings—an odd menagerie of characters—victims of crime, underage mothers and being born a twin or triplet. Weird!

In looking at his wonderful site, called The Earth Is a Secret Knot, I was more than surprised to spot a clipping about S.P. Dinsmore, the creator of the Lucas, Kansas art environment called The Garden of Eden. At the time this photo was taken, Dinsmore was 88 years old and his wife was 27. The news clipping shows there were at least two young children from this marriage, and this was long before Viagra.

The headlines and subject matter of these clippings are wonderfully surreal—which gives it the perfect pedigree for Accidental Mysteries.

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