


VINTAGE RESTAURANT or coffee shop signs are great examples of pop culture, and an excellent insight into the economic times of the day. Lay down a buck, get a meal and get change back. How cool.
Here’s a few to enjoy.
An Am repost from 1/27/08
a blog about photography, design, art, architecture, ephemera, found objects, pop culture, anonymous, outsider art, folk art, self-taught art, illustration, beauty, esoterica, auctions, discovery, art environments, mystery, vintage stuff and the magic that can be found in everyday things.



(Above) Life mask of William Wordsworth (1770-1850) and death mask of Samuel Hayes Pennington (1806-1900).
(Above) Death mask of Henry Warner Slocum (1827-1894); and death mask of Jonathan Swift (1667-1745).
(Above) Death mask on decorated shield of Ulysses S. Grant (1822-1885) and life mask of Robert E. Lee (1807-1870).
(Above) Life mask of Benjamin Franklin (1706-1790) and life mask of John James Audubon (1785-1851).
(Above) Life mask of John C. Calhoun (1782-1850) and life mask of Abraham Lincoln (1808-1865).
Oooo-kay. We’re looking at 15 actual condom packages that I have assembled for you. It took me a couple of minutes of head scratching, but I’m leaning towards “why not?” So what’s wrong with a love glove named “Monkey” or even “Kit Sack,” in fruit candy colors? Whatever. While the design may look like kid’s packaging to western eyes, there is no doubt the Japanese just see the world differently. Go Speed Racer, GO!




GAL, GAMS, AND GARTERS is a large scrapbook patched together by an anonymous aficionado of the ankle, thigh and leg, an enormous scrapbook found in a dumpster by a Virginia student in the late 1960’s. Now owned by my friend Jim Linderman, this scrapbook is also the subject of a new blog by the same name. Most of the work inside was done in the late 1950s. Like most scrapbooks from the period, this one can be looked at as more than the contents of it’s pages but as a total object d’art in itself. The pieced together sections, the yellowing of the tape, the placements—all create new visual imagery to be recontextualized today. I find the haphazardly pasted images—crudely taped and cut—to be a fun exploration into a personal, highly focused (albeit naive) design project. For my taste, I like the full pages better than the individual images. There, we can see the personal choices the original owner made as he went about his fetish-like project—as in images 2 and 3 from the top.